Create a new panorama using your newly constructed TEAM SURFACE. The surface must be the exact height of the model. Think about its length and thickness in relation to how it will attach to the models.
As we discussed on Tuesday, the key part of this exercise is to establish a relationship between the way the film sequence is constructed and the way you are making your panorama. The addition of the “Team Surface” is meant to help you establish this analogous relationship between film (cinematic panorama) and your image (static panorama).
IMAGE: DO NOT PRINT YOUR PANORAMA. SEND TO ME AS A FLAT JPEG, UNDER 5mb. BEFORE 5pm on Tuesday April 1st.
File Name: Last Name-Project 2.1-Panorama 2
Email Subject: Arch 431 Project 2.1
CONTACT SHEET: Contact sheet with individual images that make up the panorama
(landscape 8.5×11). This should be coordinated with the diagram(s) (see below).
DIAGRAM: Include the position of the projector and the TEAM SURFACE Contact sheet (8.5 x 11) with diagram(s) showing the location and rotation of the camera inside the model relative to each individual image that makes up the panorama. Number each image and coordinate with contact sheet.
CATALOG: Catalog of operations that outline every adjustment (levels, blend mode, opacity,
etc) made to the images, as well as file structure. Include the name of the film and the
director of the film sequence you have studied, along with your revised 200 word statement.
Size 12 Arial font, Printed on 8.5 x 11.
LIGHTS, CAMERA, ACTION: DIGITIZING PHYSICAL MODELS 